Catharsis
About us
Future Projects
Style and Fashion
On the Slate
The Soundboy Staff
The Sound Collective
About Us
Many who visit this site are artists, entrepreneurs or have worked in the entertainment industry in some capacity.
After you experience the real world for yourself you realize how much work is actually involved.
There is more to this industry than simply catching a break. It takes years of dedication.

I have worked as a consultant for several casting directors on the East Coast,
a casting manager for an international agency and the final casting decision maker for my projects for the last two years.
I have been making films since 1998 and have been in the music industry since 1996.

If you are interested in working with the soundboy team or having independent representation, contact me,
Skip Pulley at skip@soundboyamerica.com or call 704.877.5364. You can also leave a message at the flat, 704.529.5438.
I am also building my team for future projects. I am always looking to network with writers, actors, directors, artists,
illustrators, PA's, AD's, EP's - the whole flippin' alphabet.
Below is a summary of who we are, what we are looking for and where we are going.     
                                                                                                                                                          
Skip Pulley
Future Projects
In addition to the major studio and independent projects planned for the next few years in the area,
there are also internal projects for Soundboy America and Malchick Films.

The rise and fall of America - A bittersweet drama
Lady Luck - a master theif goes on one more heist
Three Blind Mice - A black & white avant garde drama
Hellgate - a stylish action-comedy about underground boxing
Skip Pulley & Roger Brownridge
We tried to make a serious run at the Lady Luck project. (2004) The first few days
of screen tests were so encouraging. Even the following weeks of plot
development and script supervision made it seem like we had a hip independent
feature in the works. But as time went on, we got busy doing other projects and the
entire film eventually got put on the shelf. Someone could easily turn this into their
breakout debut film. Estimated shoot time would be 4-5 weeks.
Style and Fashion
There is work in the entertainment industry on the scene as well as behind it. In either case,  
your personal style makes a statement about who you are. Although timing and industry
connections may help your career, It still takes a lot of dedication and sacrifice to develop        
the skills needed for success.

There is work in set and wardrobe design, fashion editing, event planning, public relations,
style coordination and commercial layout in advertising and promotions.
I met Inna Bulayev back in 2002 and I was impressed with her
from the very start. Inna is exceptionally beautiful. She has that
trademark Persian look that highlights her features. However, as
striking as I found her to be, it was always her sense of style that
was so impressive to me. Most of the Russian girls I know have
this automatic sense of fashion. Eastern Europe is still ahead of
the curve when it comes to developing these trends.

Inna has taught me most of what I know about the fashion industry
and has consulted me on my professional image. Before I met
her I used to wear Aeropostale sweaters, pleated khakis and golf
shoes almost every day. That may be a good look for someone,
but not for me. She helped me develop a look for myself, which
eventually transformed into my own personal style.  Developing
your look also creates a persona, which helps to build confidence.
Brittany Furse is my homegirl who worked with me here in Charlotte. In 2006 she
did a top notch fashion show at ECU. She understands the amount of work
involved in putting together a successful show. She is also an up and coming
designer with a lot of innovative ideas about style and fashion.

Brittany was also the wardrobe designer for a independent film
No Trade Refused. She did a remarkable job. It is much more difficult to
coordinate and design wardrobe for projects with a limited budget. This
demonstrates that she has the potential to expand her career in other directions.

Below is a shot of all the models from the show  
Ripped, Torn, Fabulous
On the Slate
There are at least a dozen projects that I will not be able to start production on in the near future
for one reason or another. I am looking to network with hungry and talented writers and directors
that want to contribute to the development of screenplays and graphic novels.

Below is a list of ideal projects that are on the shelf.

Katherine and Alexander - a modern love story (chickflick?)
The Eyes of God pt.1: My Fathers Kingdom - feature film
The Properties of Steel - Vietnam Drama
The Eyes of God pt. 2: He is there Dead - feature film
*
Company H - civil war graphic novel (confederate)
*
Across the Potomac - civil war graphic novel (union)
(*we need illustrators for the demo)
Vendetta pt.1; search for the headhunter - graphic novel/feature film
Vendetta pt.2; Hellbender vs. King Snake - graphic novel/feature film
Vendetta pt. 3; Ashokan Farewell - graphic novel/feature film
Sheila take a bow - feature film
Shake Rattle and Roll - feature film
Soundboy America Staff
Chuck Hilton
chuck@soundboyamerica.com
Damein Bourgeois
damein@soundboyamerica.com
Soundboy America
Online Magazine - Life
Anna Marinelli
anna@soundboyamerica.com
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